The idea that visiting a gallery can be a healing balm is manifested in Shipping Roots, by Keg de Souza. This is the current exhibition at Inverleith House, Royal Botanic Garden.
From the first moment you enter the building, your nostrils and lungs are filled with the deeply calming aroma of eucalyptus. Eucalyptus is widely used as a natural cold remedy, by decreasing mucus and expanding the bronchi and bronchioles of your lungs.
This is interesting: the Ingleby Gallery’s virtual viewing room, part of its Instalments series, in which local artist Jessica Harrison describes the thoughts and techniques behind her transformations of found objects.
In this installation, the reworked pieces form two separate series; one playing with Bone China Figures of women, the other with classical statues as pictured and supposedly available in Online Shopping.
Christopher Spencer’s exhibition at the Out of the Blue Drill Hall has been extended till Thursday – sustained, it seems, by an inexhaustible font of outrage.
You, Me & Cold War Steve (The International Exhibition of the People) brings together three years’ scorn (2019–21) in the form of 50 artfully manipulated photomontages.
Spencer’s style draws on Hieronymus Bosch’s eye for infernal detail, and the exuberant savagery of Hogarth and Gillivray.
Since 1981, the Royal Scottish Academy (RSA) John Kinross Scholarship has afforded 10 students of art and/or architecture the chance to live and create in Florence for 3 months.
A few years later, an Academician’s bright spark saw works created during these Italian sojourns added (mandatorily) to a collection held by the RSA. Said hoard has swelled over the years until achieving national significance – who said you can’t have too much of a good thing?
‘The Art of Hospitality’